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A Perfectly Foolish Young Man I Wanted Part Two Book Five Epic and Autobiographical (A Versified Finale) An Autobiographical Narrative: 1980s 6
An Autobiographical Narrative: 1980s
Both The Destructive Disease of the Soul
And The Compensatory Man Par Excellence
Possess as their starting points
A novel written at an estimate around 1987,
With one Francis Phoenix as chief protagonist.
Its fate remains a mystery,
But it may well be it was completed,
Only to be purged soon after
I became a born again Christian in 1993,
With only a handful of scraps remaining.
The versified pieces below
Were forged out of these scraps
In September 2011, although initially,
They'd taken shape as prose pieces,
Only to be edited and versified at a later date.
The Destructive Disease of the Soul
No amount of thought
Could negate
Suffering in the mind
Of Francis Phoenix.
That much he had always believed,
That humanity is a sad, lost
And suffering race.
Sometimes he felt it so strongly
That the worship of a Saviour seemed
To be the only sane act on earth,
And then it passed.
It was not increasing callousness,
But an increase in the number of moments
He felt quite intoxicated with compassion
That had soured Frank's outlook.
During those moments, he wept
For all those he'd ever been cruel to.
He could be so hard on people,
So terribly hard.
To whom could he ask forgiveness?
It was his sensitivity
That bred those moments of Christlike love,
When he cared so little for himself,
For his body, even for his soul
When it was the soul of his father,
The soul of his mother,
The souls of his friends and relatives
And everyone he'd ever known
That he cared about.
That was truth, that was reality,
That was the purpose of all human life,
That love, that benevolence,
That absolute forgiveness.
Otherworldly love is painful,
But it is the only true freedom known to Man.
Too much thought eventually produces the conviction
That nothing is worth doing.
Thought is a destructive disease of the soul.
The Compensatory Man Par Excellence
I seldom indulge in letter writing
Because I consider it
To be a cold and illusory
Means of communication.
I will only send someone a letter
If I'm certain it's going to serve
A definite functional purpose,
Such as that which I'm
Scrupulously concocting at present
Indisputably does.
It's not that I incline
Towards excessive premeditation;
Its rather that I have to subject
My thoughts and emotions
To quasi-military discipline,
As pandemonium is the sole alternative.
I'm the compensatory man par excellence.
Deliberation, in my case,
Is a means to an end,
But scarcely by any means,
An end in itself.
This letter possesses not one,
But two, designs.
On one hand, its aim is edification.
Besides that, I plan to include it
In the literary project upon which
I'm presently engaged,
With your permission of course.
Contrary to what you have suspected
In the past,
I never intend to trivialise intimacy
By distilling it into art.
On the contrary, I seek
To apotheosise the same.
You see...I lack the necessary
Emotional vitality to do justice
To people and events
That are precious to me;
I am forced, therefore,
To at a later date call
On emotive reserves
Contained within my unconscious
In order to transform
The aforesaid into literary monuments.
You once said that my feelings
Had been interred under six feet
Of lifeless abstractions;
As true as this might be,
The abstractions in question
Come from without
Rather than within me:
My youthful spontaneity
Many mistrustfully identified
With self-satisfied inconsiderateness
(A standard case of fallacious reasoning),
And I was consequently
The frequent victim
Of somewhat draconic cerebrations.
I tremble now
In the face of hyperconsciousness.
I've manufactured a mentality,
Riddled with deliberation,
Cankerous with irony;
Still, in its fragility,
Not to say, artificiality,
It can, with supreme facility,
Be wrenched aside to expose
The touch-paper tenderness within.
With characteristic extremism,
I've taken ratiocination
To its very limits,
But I've acquainted myself with,
Nay, embraced my antagonist
Only in order to more effectively throttle him.
Being a survivor of the protracted passage
Through the morass of nihilism,
Found deep within
"the hell of my inner being,"
I am more than qualified to say this:
There is no way out
Of the prison of ceaseless sophistry.
There are many things I have left to say,
But I shall only have begun to exist in earnest
In fact, so far as to be all but imperceptible.
I long for the time
When I shall have compensated to my satisfaction.
I never desired intellectuality; it was thrust upon me.
Everything I ever dreaded being, I've become
Everything I ever desired to be, I've become.
I'm the sum total of a lifetime's
Fears and fantasies,
Both wish-fulfillment
And dread-consummation incarnate.
I long for the time
When I shall have compensated to my satisfaction.
I never desired intellectuality; it was thrust upon me.
I'm the sum total of a lifetime's
Fears and fantasies,
Both wish-fulfillment
And dread-consummation incarnate.
I'm the compensatory man par excellence.
An Autobiographical Narrative: 1980s
An Aphoristic Self-Portrait
Was expeditiously versified
In September 2011,
Using a series of teeming
Informal diary entries
Made in various
Receptacles in the late 1980s.
And as such may provide
Some kind of indication
As to my psychological
And spiritual condition
Some half a dozen
Or so years prior to my
Damascene conversion.
An Aphoristic Self-Portrait
As a writer, people are my vocation.
As for humanity, men, women
And other abstractions,
Their interests constitute little more
Than my hobby; I can only deal in people.
As soon as I start dealing in sects
And sections, I am either an insider
Or an outsider, and I feel lost as either
And as soon as I feel lost,
I make no attempt to find myself,
But simply retrace my steps
And return to the people.
You can call me detached if you like,
But you see, the only way
I can remain sane as a person
With such an all-consuming instinct
For attachment, is to be detached.
The world of subjectivity
Holds no sway over me,
Because it is paradoxically impersonal,
Being affiliated to partisanship,
Sentimental causes and other such abstractions.
I couldn't possibly belong
To a school of orthodox thought
That accepted me as a member.
I don't believe in myself
Other than as a crystal clear container
For the freshest cream of human individualism.
When I was younger,
I ached to be famous for the sake of it,
But now it occurs to me
That anyone can be famous
Provided they are sufficiently audacious
And thick-skinned, and I desire fame
Not so much for the vain satisfaction
Of being seen and known and heard,
But in order to guide others
Towards a happier way of being,
The only precept for celebrity,
Indeed for being in general, as far as I can see.
Adversity seems to be my fate,
As well as fortune.
The meek ones gravitate to me.
I'm the prince of the hurt ones,
The damaged ones.
I resent all success and authority.
I'm so affectionate one moment,
So icy and evasive the next.
I'm in love with many people at present.
I over-accentuate my individuality,
Because sometimes I look at myself
In the mirror and I say:
"Who's that pathetic wreck?"
The more complex you are,
The less you like yourself,
Because you frighten yourself.
The more I find myself liking someone,
The more I doubt us both.
Liking someone negates them for me.
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