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Carol
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To continue the plug, I think this short story's three characters are really one character, a young man with strong ideals that were torn apart by going home too early one day, that pacified his anger drinking alone at home and found new ideals, then disciplined himself to no longer drink alone. So, tags become less relevant and their ommission becomes intentional and significant. I've seen reviews that suggest the three people are one, but am on my own limb that the events are connected in quite that way. Given biographical information about the author tho, I think it's a pretty compelling case.glorybee wrote:I read this story with high school students many years ago, and loved it--thanks for reminding me!Soren2007 wrote:hoping I can just do the extra credit? Pick up A Clean Well-Lighted Place by Hemingway. Best dialogue tag/no tag, make it indescript in the tag and descriptive in the sentence juxtaposing character laced up cool story about drinking I'll probably ever read.
http://www.mrbauld.com/hemclean.html
I hope the rest of you will read this, for Hemingway's masterful use of 'said' and dialog pacing. So, so good!
Look at this. Wow! Well done and well deserved second place EC.glorybee wrote:4. Don’t use a dialog tag at all.
“Have you seen Piper’s adorable blonde fluff?”
“Jan, you're just a teensy bit obnoxious about that baby.”
Tagless dialog will move your story right along, and will save you precious words. If you do this, be sure that your reader can keep track of each speaker by
a. giving each one a distinctive voice
b. having them address each other by name every now and then
c. referring occasionally to other identifying events or characteristics
d. adding tags every so often
NOTE: if you find that your story consists almost entirely of dialog, consider writing it in the form of a play or a skit. Or italicize one voice. All-dialog stories are very difficult to write well, but can be very effective when they are.
Judy, you've done a very good job here. The dialog is natural and well-paced. I just have a few things to note, and a question for you.JudySauer wrote:PART 1 - STORY
“Hi there Josie,” Nana says, “thanks for calling us.”
Looking at the iPad, “Nahnaa,” she giggles. “Pawpaw,” she coos.
“Melissa, her hypnotic blue eyes, and long eyelashes are mesmerizing.”
“I know. Not real sure where she got them, but they sure are gorgeous.”
“Pawpaw,” Josie whispers.
“Blow us a kiss Josie.”
With open hand to mouth, she draws out “Muuuaaahhh.”
“Hard to believe she’s twenty months already. Do you need any clothes for her? I can check the resale shops.”
“That would be great mom. She could really use two Ts. Eighteen months fit her just fine but she doesn’t have much, if any, two Ts. Oh, and she needs size six cowgirl boots, if you can find them.
“Babe nana,” as Josie pulls her doll close.
“New doll?”
“Yes. That's baby Banana but she calls her babe nana, and she fits Josie’s newborn clothes.
“Bye Josie. Papa needs to pay bills.”
“Bye bye,” she hesitates, “ Pawpaw.”
“Can you blow Papa a kiss goodbye?” prompts Melissa.
“Bye bye. Bye bye. Muuuaaahhh.”
“Jason just got home, so we have to go. Tell Nana bye and blow her kisses.”
“Bye,” and she runs to the door.
PART TWO - QUESTION
I had four characters in this story. With so many moving parts, is it better to use tags or not? There's one sentence of dialog that was Nana's line but I didn't note it as such. It could have been taken as Papa's line.
BONUS - NOVELIST'S STYLE
My eyes don't last long enough to read books, so I glanced through one of my husband's novels. It's a Jack Reacher book. He uses more than one type of dialog in his writing. What I saw looked effective for the section he had written.