LITERARY LARYNGITIS
By Delia Latham
“I’m losing my voice,” my friend croaked, and I cringed in sympathy. What was left of her normally pleasant voice sounded painful at best.
“Maybe you shouldn’t be trying to talk,” I suggested. In all honesty, her croaking attempts at conversation grated on my nerves and set up an empathetic ache in my own throat. I handed her a notebook and pen. “Here, use this. Save your voice.”
Of course she didn’t listen. Her refusal to do so cost me an hour or two of auditory torture. And within two days, my vocally challenged pal couldn’t speak a word. For several days, she silently consumed juices and acid reflux medications. Yep, turned out, her recurrent problem with reflux was the culprit all along—the nasty stuff had damaged her vocal cords.
Laryngitis (weak voice or voice loss) usually lasts less than a few weeks and is caused by something minor, like a cold. Sometimes, however, something more serious brings it on, and it sticks around a good, long while. For instance, vocal strain (most often caused by yelling or overuse of the voice) can cause serious damage. Professional singers, who use and abuse their voices on a regular basis, are prone to laryngitis, as are impressionists, who strain their own voices by forcing them to take on the vocal attributes of others.
Writers often suffer a similar malady, losing their voice by using it to imitate an author (or authors) they like and admire. Eventually, their own literary personality is lost because they learn to be such incredible copycats of other voices—leaving them without one of their own.
The culprit? Writer’s reflux. Whereas acid reflux burns the esophageal tissue, writer’s reflux damages literary muscles. We mentally consume and digest the works of other authors. This is not a bad thing—one cannot write without reading. The trouble starts when we begin to rework the ideas, words, and voice of that other author. The result is not pretty: It’s writer’s reflux, a condition in which writers regurgitate what they’ve read into their own manuscripts, often not even quite realizing they’ve done so. Enamored of someone else’s way of saying things, they refuse to process their own ideas, come up with their own turns of phrase, seek out their own style of writing. This weakens and deteriorates the creative “muscles,” damages writing ability and eventually causes complete loss of voice.
Result: Literary Laryngitis.
We all learn by reading other authors. To some degree, we all mold ourselves in the image of our favorite literary talents, just as a child imitates the handwriting samples provided him by his teacher. This is natural and to be expected. But at some point that child begins to add his own flourishes to the script, starts to form letters according to his own taste and imagination. Eventually he develops a unique signature that is his alone.
What we need then, as writers, is our own literary “signature.” A writing style that is unmistakably ours. A way of saying things that clearly identifies our work as belonging to us.
A unique voice. An unmistakable signature. May I suggest a fingerprint? One of a kind. Unmistakable. No chance whatsoever of duplication.
On the flipside, sometimes we just need to take a break. Overusing a voice also causes damage that can lead to laryngitis. Give it a break. Dive into a good book. Watch a good movie. Take a walk. (Study a few books and articles on developing voice.) Make these little detours the self-prescribed “chicken soup for the writer’s soul” that puts you on the road to recovery.
Before you know it, your voice will be back—and entirely your own.
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Born and raised in a place called Weedpatch, Delia Latham moved from California to Oklahoma in 2008, making her a self-proclaimed California Okie. She loves to read and write in her simple country home, and gets a kick out of watching her husband play Farmer John. The author enjoys multiple roles as Christian wife, mother, grandmother, sister and friend, but especially loves being a princess daughter to the King of Kings and Lord of Lords. She loves to hear from her readers. Find out more about this author and her inspirational romance novels on her website or send an e-mail to delia AT delialatham DOT net.
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24 Comments until now.
Loved this, Delia! =] Thanks!
Clever and Insightful!
What a fascinating look at the writer’s voice. Really enjoyed this, and it made me think.
Beautiful writing. Thanks.
Thanks to all of you for your comments! I completely forgot this post was going up, and I’m embarrassed for failing to drop by the “day of.” I guess I had mental laryngitis (or maybe that should be some other medical term…like amnesia!).
So glad all of you enjoyed the article!
This is a great piece! I’m tweeting this baby.
Thanks, Delia
And Raquel. Glad you stepped by – and you’re NEVER late for commenting!
You’re too kind, Joanne! I’ve called in reinforcements to make up for my faux pas… lol
Oooh, Delia, fabulous post. Never thought of it that way before – a literary signature or footprint. Cool! Thanks for sharing.
Wonderful article!
I tweeted & FB it!
PamT
wonderful Delia. Sounds so much better than ‘the muse packed his bags and left and not even cookies will tempt him home.’
Clare – currently suffering from literary laryngitis.
Thanks, Dora & Pam – and you, too, Clare! You made me laugh, and I needed that today. I do NOT believe you’re suffering this unpleasant malady! You, with your gorgeous new cover and new release!
What a great way to look at voice, Delia. Thanks@
What a fantastic post! I never thought about comparing the two ways to lose your “voice.” I remember when I first started the journey to publishing how easy it was to get caught up in all the “good” advice and “how to” write. I tried to emulate everyone’s feedback and I got totally lost in the shuffle. Only after I backed away and wrote from the heart, did I begin to hear my “voice” again.
Wow. This one smacked me right upside the head and yelled: “Pay attention, sweet-cakes!” Great job, ladies, and a wonderful post, Delia!
Great piece, Delia, and I’m so glad I’m not the only one who forgets things once in awhile. Glad to hear you’re human like the rest of us!
Tanya…Carol Ann…Marianne – So glad you enjoyed the post! You each have your own distinct voices, and I’m confident you always will.
You are so right about this. I cringe whenever I hear someone compare a new author to someone else. “She’s the new Terry Blackstock” or “If you like Janet Evanovich, you’ll like …” The reason I dislike it is the new author is never like them so I’m disappointed. I’ve learned to ignore those compaisons and take the writer at “voice” value. Some have turned out to be pretty good.
Oh, Mary, I am definitely human! Too much so most of the time. lol
That is so true, Kathy! I dislike comparisons, as well. In fact, Paul advises against the practice in 11 Corinthians 10:12 – “…but they measuring themselves by themselves, and comparing themselves among themselves, are not wise.” Can’t get much straighter than that, can it?
I’ve been working on my WIP so I’m chiming in kind of late…
Weedpatch, Calif? Really? Sounds like the Beverly Hillbillies.
GREAT article. I suffered from real laryngitis until a savvy doc discovered a sinus infection that had never gone away.
My critique partners believe my real voice is coming out strong in first person, through my WIP, a fictional memoir.
All that early writing practice helped, I’m sure. A good reminder that we all need to write to find our own voice.
Delia, what a wonderful simile. The comparison is so appropriate. I know we all pick up a little of the “rhythm” or maybe “tone” of the writers we like, but if we all started sounding alike, how boring. Kind of like listening to song after song that sounds the same (sorry, kind of reminds me of Bob Dylan).
Ah, but voice, now there’s a deep subject. So hard to explain, but so very important to every writer. May your writer’s voices continue to ring out into the netherworld (and the ethernet too)!
LoRee, Weedpatch was a bit reminiscent of The Beverly Hillbillies in many ways! lol Most of its residents originated in Oklahoma, Arkansas and Texas and settled there during the Depression.
Donna, variety IS the spice of life!
God had a reason for making each of us individuals with individual tastes, talents…and voices!
I just took a look at my last comment and realized it could be easily misconstrued. Please understand…I in no way intend to disparage anyone from Oklahoma, Arkansas or Texas! My own parents originated from Texas. In my humble opinion, those folks I grew up around in Weedpatch were the salt of the earth. Dignified, however, they were not. LOL Just poor, honest, hard-working people who loved God, family and their country. Who could ask for more?